冲着我喜欢的那张脸，我把这张盘先挑出来放进了电脑。
马克斯细致入扣的把马尔代夫的照片夹在挡光板上，把一天的所需井井有条的放进一个包包里，让车子毫尘不染的在路上，我觉得他很有处女座的风范，呵呵~
喜欢他的度假方式,他说，那个他最爱的马尔代夫的群岛，每天他都要去那里度假好几次，神游...生活压力那么大，怎么能够等得到每周或是每月或是每季或是每年去度假放松，累了，放下挡光板，注视着它，便把所有烦恼放在那里然后再回来.我觉得这种阿Q精神很好，微笑着对抗者生活。
喜欢他善良的对每个过客感同身受，尽可能的为别人做点什么其实是能让你变得快乐的一种途径。
喜欢里面TEXI的顶灯上的广告穿过蒙蒙暗下的繁华城市夜空，闪过各色醒目的有美女的广告，我发现我变得不那么讨厌电影里的广告了，也许那《非诚勿扰》《疯狂赛车》里那些广告也是有记录历史的作用的，它们记录在那刻的时髦的消费品的兴衰更替。
文森特留着银白的头发和修得很有型的胡须，他在车后座说着偌大的城市里的悲剧发生时的世态炎凉，可是自己却是个冷面杀手
It was known as “the movie in which Tom Cruise played a really bad guy.” That was as far as i knew before we walked in Coronet, our neighborhood theatre that had definitely seen better days.
The giant auditorium was occupied by forty or so audiences. We congregated under the center of the giant dome like a herd of lost sheep huddled together on a stormy plain: stay close enough to be aware of each other’s presence but far enough to avoid eye contacts. City sheeps. :)
The mood projected by the movie fit perfectly with this audience.
The opening sequence resembled a 007 movie. Jigsaw of images: Thai newspapers and street signs, airport crowd, expensive looking leather suitcases changing hands between two handsome but rugged looking men in silk Italian suits.
借刀杀人：布鲁斯·麦克吉尔作品，无边的落寞和残存的温度
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