第十七部伍迪艾伦，这部是极致，是极致！还有什么词汇能用来形容他的电影吗？以后看到更好看的要用什么来形容？神来之笔？上帝的杰作？
豆瓣上这部电影的观影人数才2189，严重被忽视的佳作好吗？！我真替伍迪艾伦鸣不平！
极其精彩，精彩在哪儿？OK
这部电影融合了伍迪艾伦式幽默及他的惯用主题“迷茫的婚姻，话痨，犯罪”以及希区柯克的<后窗>＋<迷魂记>＋阿加莎克里斯蒂的<控方证人>三部佳片的特色
The film is schizophrenic— attempting to juggle with comedy, romance, and noir all at once but unfortunately left all three genres compromised and crippled.
重点是谋杀案嚒？不是。
当戴安基顿周旋于两个男人之间的时候，她感到十分轻松，舒适，因为这个时候所谓的世界是以她为中心的，谋杀案只是一个幌子，她通过谋杀案让自己成为了两个男人的焦点。
而当女二把一切逻辑都梳理通顺的时候，她则表现出了质疑反对与焦虑不安。
“这女人你们从哪找的？”
说回非重点但作为标题的谋杀案吧，老套的侦探故事中，最后都是别的奇怪的侦探小说拯救了整个案情。
录音作为神逻辑转折向来都是很好用的，何况是再拿录音的剪辑去骗人。
It’s such a pleasant experience watching W.A.’s Manhattan Murder Mystery.
Several points to note:
1. When I heard them playing Dave Brubeck quartet’s take five at their first discussion of the mysterious death of Mrs. House, I knew that the movie’s background music is going to play jazz most of the time. And that pleases me. The same happened when it played twice at two exciting spots (one where Carol decides to stalk the widower, aka the chase with her mumbling husband Larry; another was when Larry took his car and drove it to Paul’s cinema backdoor after being telephone-blackmailed by Paul’s threatening killing Carol), the very famous track by Benny Goodman and his Orchestra called ‘Sing, Sing, Sing (with a Swing)’. And that actually reminded me, rather naturally, the tap dance by fred astaire and Gene Kelly. What an age!
生活很奇妙，爱情也很奇妙。一出显得莫名其妙的发生在对面的凶杀案让一对中年夫妻在情感生活中的裂痕和各自找人补充的一面暴露了出来。他们互相在安全的边界寻找着新的陪伴。夫妻一起的时候想的却分别是缺席的另外两个人。最后没想到却是四个人一起出谋划策解决了这场离奇的凶杀案。而在最后的紧要关头站出来的还是夫妻档。通过这段离奇的经历，两人又重新紧密结合在了一起。电影在婚姻线和谋杀案线都处理地完整又饱满。其中很多时候台词和情节的笑点都戳得我笑个不停。向伍迪艾伦迷又近了一步。
【曼哈顿谋杀疑案】伍迪·艾伦主演，当经典悬疑片的情节融合在一起会是什么样？
转载请注明网址: https://www.caomindy.cc/detail/id-32234.html
